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Goggles Photo
I shot this photo when I lived in North park and it was used on the cover of an early issue of Reviewer. It was printed in black and white when it ran, but I like this version in color better.
The girl in the photo wasn’t a professional model, although she could have worked for an agency given her height, looks and professional demeanor. She was actually a medical student at UCSD or some upper-level university in San Diego who I met while she was leaving a grocery store in Pacific Beach.
Don’t Need No Stinkin’ YouTube
Experiments In Flash Video
I uploaded a video of me driving my van the first day I got it, and want to find out if it’s working right in all browsers. All I need now is the proper embed code that adds the control bar at the bottom of the screen.
So, anyways… Check THIS PAGE out or CLICK HERE to see in full screen(?).
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Note to self: Here’s the code, but of course omit the * …
< * object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="550" height="416" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0">
< * embed type="application/x-shockwave-flash" width="550" height="416" src="http://reviewermagazine.com/video/flash/new.van.ride.swf">
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http://reviewermagazine.com/video/flash/new.van.ride.swf
[Bio]
We All Want Something
Scion of a family whose vast fortune was acquired by my late grandfather’s industrious hard work, good luck and timing, I am the beneficiary of a trust that was endowed after my father’s death in the family business due to a tragic accident on company grounds shortly before my birth. Mother soon remarried and grandfather placed a large sum away to be made available to me upon reaching a certain age of maturity.
In the late-1980’s I was liasoning between the Afghanistan mujahideen’s poppy growers and their buyers in Western Europe. Temporarily seeking the anonymity of less glamorous work I eventually navigated to the Far East where I ran a karaoke nightclub and worked the mail order bride scene in Thailand until that country began changing its pesky laws.
After the horrendous events of 9-11, 2001, it was back to the states where I marketed surveillance systems to local law enforcement agencies that were disguised as such innocuous objects as outdoor ashtrays, soda machines and bathroom tampon/condom dispensers.
Alligator wrestling in Florida, stock speculating, snowboarding the Himalayas, nude skydiving in the Australian Outback, real estate flipping, African big game hunting, skip tracing, running with the bulls… I’ve discovered that I get bored easily.
I pay tribute to the greats throughout the ages although I have been around in spirit forever. I pleaded with my friend Robert Capa to shoot more art and less war before that fateful afternoon in May, 1955. I told Ansel Adams he should climb the back of Half Dome for a better view with his large format box. My faithful doppelganger was the one who suggested to Louis Daguerre that he should name his silver-coated copper plates after himself.
Now living a life of creativity and leisure, I travel the globe as an artist and bon vivant. When not raising money for the homeless I can be sometimes found partying on Avenida Revolucion or elsewhere associating with other industry malcontents and enjoying the hyperbolic puffery.
[Lyrics]
Instant Club Hit (You’ll Dance to Anything)
[My thanks and apologies go to one of the greatest 1980's punk bands to ever come out of Philadelphia, The Dead Milkmen ~Editor.]
You’ll dance to anything
You’ll dance to anything
Okay, look at you
Don’t you look like Siouxsie Sioux
How long did it take to get that way
What a terrible waste of energy
You wear black clothes say you’re poetic
The sad truth is you’re just pathetic
Get into the groove get out of my way
I came here to drink not to get laid
So why don’t you just go on home
If you want to moan you’ll have to moan alone
You’ll dance to anything…
You’ll dance to anything…
Don’t try to tell me that you’re an intellectual
Cause you’re just another boring bisexual
(“I met Andy Warhol at a really chic party”)
Blow it out your hairdoo cause you really work at Hardees
80 pounds of make up on your art school skin
80 points of I.Q. located within
Know what you are? You’re a bunch of …
Artfags! Artfags!
Choke on this you dance-a-teria types!
You’ll dance to anything by the Communards
You’ll dance to anything by Book of Love
You’ll dance to anything by The Smiths
You’ll dance to anything by De-peche Mode
You’ll dance to anything by Public Image Limited
You’ll dance to anything by Naked Truth
You’ll dance to anything by any bunch of stupid Europeans who come over
here with their big hairdoos bent on taking OUR money instead of giving
your cash, where it belongs, to a decent American artist like myself!
You’ll dance to anything!
Well…
It’s 12:30 a.m. and the model pictured in this photo left a little while ago so now I have time to do some editing.
World Class Locations
I love nature. Good thing this town has a wide variety of fine natural locations. The cliff-lined beach between La Jolla Shores and the gliderport north of UCSD is great for many reasons, not the least of which is the waves that are magnified by the offshore canyon. Another reason of course is the strange rock formations erupting from the cliffs.
Nearing sunset, above the goat trail, south of the Torrey Pines Gliderport. Little bit of a sunflare here in the center of the photo. Haven’t bought a polarizer for my wide angle yet, but I will.
Photo by me, Reviewer Rob. Click the pic for larger.
The Day I Met Phil Spector
The strangest thing about that mugshot is not that he’s so bald but that I didn’t know ol’ Phil Spector was 5-3. Perhaps he was wearing platforms when I met him that night in 2003 at the Hollywood Wamu ATM soon after his arraignment. It was early in the evening on the weekend and he was all dressed up like he was out on the town, nattily attired in a dark jacket, his shirt’s big frilly white cuffs sticking out to complete his sartorial splendor. I thought he looked nearly as tall as me, and I’m 5-7. Maybe it was his hairdo which now appears was a high wig, not in a huge fro like that famous courtroom photo but still rather curly and teased up tall.

Looking Good In Cuffs
We didn’t exchange a word. Phil was at the ATM and we were a good 12-feet apart. I didn’t even know it was him at the time, only realizing it much later when numerous photos and video of him began flooding the news as his case began to unfold. There were some black dudes, urban warrior/gangsta-rap types, standing over by some parked cars and playing rap on their car stereos in the lot 30-feet away. I had walked up the sidewalk past him to wait my turn and was looking at him with the black guys at a 45-degree angle to my left. I was thinking this guy looks more than a little bit like a dandy.
Then maybe Phil realized I was inspecting his appearance and curious get-up because he stopped what he was doing at the machine and stood up to his full posture, dropped his hand down to his side and looked at a point that was between us, not making eye contact.
At that moment one guy in the group of black dudes said loudly in our direction what I remember to be like ‘Awww, there ya go!’ – something to the effect of what to me sounded like a warning, and I got this inexplicable and sudden sense of dread. It was a feeling that at the time didn’t seem justified by what I knew.
Phil Specter, producer for Ike and Tina Turner, John Lennon, George Harrison and the Ramones, Rock And Roll Hall Of Famer and creator of the “Wall Of Sound” – or, weird looking little old guy – finished his business at the ATM. So I stepped up to make my withdrawal. That was all.
“Cover Safe”
The text below had been on my modelmayhem profile for quite some time. Thought it was time to change it but I wanted to post it somewhere else. The photos are from a recent art shoot I did last month. Click the pics for the larger versions. ~Rob
*ABOUT ART PHOTOGRAPHY*
I should include a few words here about implied nudes versus real nudes. Many people believe that a nude can be a photo where the model isn’t fully revealed. Now, there’s two schools of thought on that. Here’s my position. An implied nude is a photo where a nude model demures from actually showing her private parts, perhaps by crossing her legs or covering up with her hands or turning aways from the direct gaze of the camera. She’s nude but the photo is still “cover safe.” A real nude, arty or otherwise, shows everything. There’s nothing left to the imagination. That doesn’t mean the model has to be so exposed that one is able to gaze into the inner sanctum (like a doctor’s office visit) but you have to be at least able to identify that yes, there is her female sex and she is indeed a woman. To summarize, a nude does not need to be a spread shot but it should be a true nude that shows all. I have no problem with either though, as they’re both valid artistic sexpressions. But if I tell you that I want to shoot you nude, well then, you know what I mean. O-kie dokie?
Form & Function
This girl was an attractive non-model that I met in San Diego and photographed solely because I liked the muscle tone to her legs. She was a competitive runner who I invited back to my place hoping to do nudes, but not counting on it because I sensed it would be her first time naked in front of the camera. We did two shoots. The first time was in the evening the day after we’d met and it went well although she was having a hard time loosening up. I was able to get her nude but she was laughing and tense in an excited I-can’t-believe-I’m-doing-this-now sort of way.
Implieds
As we finished she suggested we shoot early in the morning after she ran because her body would have less water weight to it, or some reason like that. So we made plans to shoot the next day. I overslept and woke up to her calling my cell phone saying that she was knocking on my door but no one was answering. Jumping out of bed, I let her in, apologizing and saying I was an asshole.
This time she knew exactly what we were doing and quickly undressed, asking me if I wanted any oil on her skin. I said yes and my heartbeat picked up a bit. Her body looked like a finely tuned machine. I needed photos of it.
The picture below was exactly what I’d wanted. When I told her this her smile was a real thing of beauty. I had been looking to do this shot for a few weeks before I met her and just needed the right subject. It took a while to get because the model had to be gently coaxed into this position but this is it as far as gesture and lighting goes.
She had asked me if I wanted her to take off the ankle chain. “No,” I said, “it looks great.”
… among the grisly connivers in all the beer halls in Munich and everywhere else…
When I first read this page in Joseph Heller’s CATCH-22 back in the late 1980’s I laughed out loud so hard. I think it was the funniest paragraph of literature ever read by me up to that point in my life, other than maybe in some of Woody Allen’s short stories in Side Effects. It’s probably because at the time I too wore a uniform and although it was a different era I thought I knew immediately what Clevinger was feeling. Maybe there’s few of you that will share the same reaction I had, but I needed to post this because were it not for the modern miracle of online books and internet searches pinpointing it in the novel, it wouldn’t be nearly so easy to locate now, and I’ve been wanting to re-read it for some time … LOL.

“Clevinger recoiled from their hatred as though from a blinding light. These three men who hated him spoke his language and wore his uniform, but he saw their loveless faces set immutably into cramped, mean lines of hostility and understood instantly that nowhere in the world, not in all the fascist tanks or planes or submarines, not in the bunker behind the machine guns or mortars or behind the blowing flame throwers, not even among all the expert gunners of the crack Hermann Goering Antiaircraft Division or among the grisly connivers in all the beer halls in Munich and everywhere else, were there men who hated him more.“
~ From Page 50 & 51 of CATCH-22, by Joseph Heller …
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The latest issue of Reviewer I’ve edited… in PDF:  :::
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